Posts Tagged 'pottery'

Kiln Goodies

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Though I’ve been abysmal at making time for pottery (yes, it’s a New Year’s Resolution) there were a few more goodies to be pulled from the kiln last week.

Yarn Bowl ©Shireen Nadir 2012

These 2 yarn bowls are both done up in delicious shades of turquoise, chocolate and minty green and they’re only available at the Purple Purl here in Toronto.

Yarn Bowl ©Shireen Nadir 2012

Next year I’m making a point of setting aside more time for pottery – because there’s making beautiful things… and then there’s being able to be up to one’s elbows in mud and still be making beautiful things :)

 

 

Frogged….

Yarn Bowl ©Shireen Nadir 2012

Oh pottery, why must you be so time intensive? This froggie bowl was ordered from me a very long time ago…. like last summer long ago (luckily the person making the request was very patient). Her bowl just came out of the kiln and I am in love with it :) Hope she feels the same! 

IMG_0415Yarn Bowl ©Shireen Nadir 2012IMG_0411IMG_0413

Back in the saddle

Every summer I take time away from the potters wheel, and last Saturday was my first day back.

Pottery

Oh, the beautiful little freshly-wedged balls of potential…

pottery ©Shireen Nadir 2012

I confess, this is the stage where I find my pottery most beautiful.

pottery ©Shireen Nadir 2012

You guessed it – some of those are destined to be yarn bowls!

 

 

 

Why I’m going to Boston (AKA the Convent Story)

A few months ago the Yarn Harlot featured my yarn bowls as being great Christmas gifts for knitters – which was very lovely of her. Unfortunately it resulted in me being inundated with requests I couldn’t fill – because I don’t ship pottery.

There are lots of good reasons to not ship pottery – it’s expensive and risky and generally, when I explain this to folks, they say ‘Oh, that makes sense, thanks anyways’ and that is that.

Then I got this email:

Dear Shireen, Thank you so much for writing and for explaining the costs – I would still love to go ahead with the order – our mother superior saw your bowls and totally fell in love with them! :) So – it’s worth it! And I thank you so much for accepting the order! The wait is fine!
Happy holidays!
With gratitude,
Sister P_

Well, how could I say no? So I decided to fill just one order – hers. Over the following weeks we e-mailed each other back and forth a few times while I was preparing the bowl. By the time it was ready I realized that all I wanted was to give it to her. I had enough travel points for a short-haul flight and was feeling the need for a few solo days out of Toronto, so I wrote to her again:

“Hey, is it weird if I just come to Boston and give you your bowl?”

She replied “No, a visit to Boston doesn’t sound strange at all ! :)”

And that’s why I’m going to Boston this Friday. I’m looking forward to meeting her for dinner at the convent. I’ve already scoped out where all the yarn stores are located and I’ve booked myself into a snazzy hotel right in the middle of downtown :) I’ve heard Boston is lovely – can’t wait!

Kiln goodies and the dangers of pre-conception.

I’ve been too busy to blog, and that’s saying something. I also had a major resin disaster that took out my entire store of carefully preserved gerber daisies and silver plated bezels. We won’t talk about that anymore – on to things that actual worked out.

Speaking of things that worked out – my first surprise was this weekend when I went to the studio. The bowl-o-saurus lives! I thought for sure those walls had give way, but no. I even trimmed it. I covered it in slip and left it to dry; it’s so big it doesn’t fit in a glaze bucket so I’ll likely just glaze it clear, assuming it continues to survive it’s bisque firing.

More goodies out of the kiln – a froggie bowl! Dibs on this bowl belong to a nun in Boston – if she still wants it. I took forever to get it done due to studio/life complications. It’s cute though, and I was willing to break my decision not to ship things just because she was so sweet.

More things included an experiment with ceradye and the clear glaze treatment. The result seems to be that the ceradye disappears. Most unsatisfactory. I now have a pitcher I don’t know what to do with.

Pre-conception is the enemy of my art. I had an idea in my head of how it would look and now, though other folks might find it lovely, its hard to get past the picture in my head that I was going for.

This little mug also did not turn out the way I expected. It’s ceradye, clear and turquoise, with shellac relief treatment. I decided to just shoot the angles I liked.

 

And… sneak preview of tomorrow’s post: I used it to hold up one of the first things I’ve made with my own lampwork beads. I’m so happy! Can’t wait for studio time tonight :)

Better late than never?

Remember this guy?

Someone ordered a yarn bell from me, oh, last summer ish. I literally just got it out of the kiln. Murphy ruled this yarn bell; every iteration of it either broke, was damaged in the kiln or had it’s handles fall off. I have never encountered such an ill-fated yarn bell.

Well, guess what fate, it’s done, she likes it, and I’m delivering it soon. Except that she likes it so much she wants a matching bowl…. and for no rational reason this makes me cringe. Of course I’m making it, after all, the bowls have already been thrown and if I can get red glaze I should be a month from completion. Besides, she’s been lovely and demonstrated godlike patience, how could I say no? What could go wrong ? (Crosses fingers).

I also got other goodies from the kiln, which have been delivered to the Purple Purl:

I love this angle, the blue-greens are so delicious!

I’m definitely in fail mode on other fronts, a bunch of tiger lilies, carnations and chrysanthemums that I had preserved for jewellery went bust. It reminds me what a delicate process this is. I’m trying again of course, stay tuned for (what I hope will be) brilliant gerber daisy jewellery!

Speaking of Fail, tonight I’m taking another crack at lampworking, wish me luck, and thanks for all the positive and encouraging comments from folks who saw my broken bead post :)

Nostalgia

The other day I spoke with my first pottery instructor, John Jarvis, for the first time in years. John taught me from 2003 until 2008 ish. It was in the basement of his home with a few other folks on Saturday mornings. It left me nostalgic, and I reflected on the tremendous influence John ended up having in my life. The photos are all pieces I created while at his studio.

John is wonderful. Sometimes you meet someone who, just by being wonderful, ends up being a huge influence in your creative life. He agreed to teach me on a barter basis because I was unemployed when I met him, but really wanted to learn. Him and his equally talented wife Pat would bring tea and cookies or squares down to every class. On Saturday mornings we always listened to the Vinyl Café on the CBC.

John is a genius with glazes. I have no idea how he got those gorgeous saturated colours. I would always beg him to put my pieces down in the bottom of the kiln where it was hottest so the colours would come out as strong as possible. I think he humoured me a lot, but my pieces would always come out looking stunning :)

John is also shy in many ways. He always blushed when teaching someone how to pull a handle for a pot. He would hold that phallic lump of clay and say “I like to think of this as a cigar” and we would all start laughing at him. He took it in stride, his classes were always full of fascinating folks and we all, to a person, enjoyed teasing him.

He was amazing to talk to. I remember us asking him once whether he would rather be young now, or young in the 60′s. He said “The 60′s for sure”, whereupon we teased him about free love and such.  He laughed and said “It’s true that youth today have more opportunity, but in the 60′s we still thought we could change the world”. That has always stayed with me, and it reminds me to fight the complacency that can overcome people, the tendency to believe that we don’t count.

He taught me patience too. I wanted to learn everything, right away. He taught me that when clay is too dry, too wet, too stressed or of too inconsistent a texture, it would fail and there wasn’t a ton to be done about it.  He taught me to take it in stride when a pot I had spent hours hand painting broke in the kiln, or a tea pot at it’s last stage developed a crack in the spout. He taught me to look back on how I did it, see the mistakes, and be more careful in the future. He also taught me that sometimes, shit just happens.

When I had trouble learning to centre for a throw he had me throw on a kick wheel for a week. I was a pro at centring after that.

When he retired he gave me a beautiful old camera and lens that he unearthed while packing, knowing my love of photography. He also bequeathed to me his last stores of ceradye which I treat like gold and use sparingly to this day, in my new pottery studio.

John still inspires me today. A turn of events after he retired left him unable to be a potter anymore. Never one to just sit out, John took up ballroom dancing and now runs a ballroom dancing club in his new hometown. After being a potter his entire life he switched gears to do something totally new, I can’t imagine how tough that is.

Every summer he has his former students up to his home for a bbq. I can’t wait to see him and Pat again :) I will always be grateful for having met him, and cite him as one of the most inspirational people I have ever had the honour to meet.



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