Archive for the 'Photo-Take-Outter Friday!' Category



Photo-Take-Outter Friday #7 – Passion & Patience

This tip is simple; the best photos I’ve ever done got taken when it was late, when I was cold, when the weather was bad etc. Sometimes I had to wait a long time for the right shot, or get up at some weird hour. If you want the shots no one else is getting, you’ve got to be passionate enough to put yourself out there, and patient enough to stay the course until you get your shot :)

Long Beach in the Fog, Vancouver Island BC

The day was cold and clammy. Tito and I were burned out because we’d slept in a car the previous night (long story). We took one look at the beach, and it was deserted, not to mention freezing. It was perfect. Shots of beautiful desolation and eerie lighting were our prize for staying the course that day! My favourite were the 2 surfers who took a chance on the waves despite the weather.

Morning after the storm: Toronto Harbour

It was a furious snowstorm, a couple feet of snow fell overnight. Normally this sounds like a pizza, a movie rental and a sleep-in. Not so, for me this meant an early morning alarm and a hike through the snow in the hour just before dawn. My reward was clear skies, a frozen lake, smooth, untrodden-upon mounds of snow and a beautiful sunrise!

The Hummingbird’s nest: Monte Verde Costa Rica

This little nest is no bigger than my fist. I could hear the little baby chirping inside and I knew if I could just remain totally motionless with my zoom lens set up the mom would come and feed her baby. I had mixed feelings about doing this – I was so worried that my presence would stop her from coming back, or make her aggressive towards me, but I needn’t have feared. An uncomfortable half hour of crouching and I got this touching shot.

Lava Flow: Mt Kiluea, Hawaii

I went to Hawaii just for this volcano. Of all the gorgeous things we saw, wildlife and landscape and pristine beaches, the lava was the winner for me. Instead of a daytime hike to the flow site we opted for a 3 am boat ride on terrifying, rough ocean. It was dark, bumpy, and hot. Some of the most adverse conditions I’ve ever shot in. I’d do it again in a heartbeat, and the shots were more than worth it.

Aurora Borealis: South Ontario

It was a work night, and it was cold, and we were already tired. On top of that it was raining hard in Toronto, and snowing hard up north. But you just never know when mother nature is going to give you a show. So after checking the forecast on spaceweather.com we decided to drive out in a snowstorm. We headed west to try and escape the storm and not 15 minutes after passing the edge of the cloud we got this shot. Freezing. Tired. Terrible driving conditions. Totally worth it.

Electrical storm: Toronto Ontario

We had one of those great, high summer electrical storms. Go home and keep cameras dry? Nope, get the car and chase that storm around looking for our shot. Now, lightning is the epitome of patient shooting, but when you do get it, there’s a lot of jumping around, pumping your fist in the air and screaming. Even if you are soaking wet because you lovingly draped your raincoat over your camera instead of yourself.

All my favourite shots, the ones closest to my heart, are the shots that took work. So remember, when the tourists go home, when it’s too late, too cold or too wet, that’s when dedicated photographers are just heading out! Approach photography with passion and determination. Always be willing to put yourself out there, when you do get your shot the rewards will be worth it.

Photo-take-outter Friday #6 – Get the shot you weren’t looking for.

When I go out shooting I often have an idea in my head of the photo I am hoping to take. The danger is that sometimes I can get so caught up in the shot I want that I miss the beautiful shots around me. It’s like photographer’s tunnel vision. So today’s tip is easy: Keep an eye out for the shot you weren’t looking for.

Last night was a perfect example. I went out at dusk to photograph Venus and Jupiter. Wherever you are in the world, you can see these 2 beautiful worlds, only 3 degrees apart, for the next few weeks.  It’s a gorgeous sight. Just look to the west, just after sundown.

I decided to head out to a park just west of my place where I knew I’d get a clear view. The park is an interesting space because with the right camera angle you can make the shot look like it was taken in an isolated area, when really, it’s right in the middle of a condo complex.

I got my shot, and I was thrilled with it :) Then I packed up my camera for the short walk home. As soon as I turned around I saw what I had missed – 180 degrees from this beautiful, isolated shot of the sky was a veritable forest of condominiums, one of which is my home, framing the CN tower perfectly. All I had to do was turn around and look.

Of course I had to unpack the camera and set up again, but I’m glad that I did :) Always keep an eye out for the shot you weren’t looking for!

Photo-Take-Outter Friday #5 – Be nothing if not determined.

I wasn’t going to do this last night. The rain was so miserable and the full moon, when it was visible, was so bright, I thought for sure we would get nothing. Also, the party was pretty good.

But then I remembered that the best aurora pic I ever took was taken quite literally in the middle of a rain storm. A hole in the cloud passed overhead, and there they were, and I shot through it for 15 glorious minutes until the hole closed up, and with it my window of opportunity, but I got the shot. In Parry Sound, at 2 am on a work night.

I remembered that when I finally found a preying mantis it was not while I was crawling around in Algonquin Park with a macro lens on, or up in Tobermory, or even at the Leslie Street Spit. It was on Front St., downtown, hanging out in front of the CBC building.

In short, I remembered that sometimes the shot finds you and you’ve just got to put yourself out there over and over again because that’s how great shots get taken.

We drove through a snowstorm so fierce it forced us off the highway around Cookstown, not nearly as far north as I wanted to go. We drove west, trying to get out from under it, slipping and sliding (occasionally alarmingly).

But then there was that telltale glow in the north. The edge of the cloud came, the stars peeked out and with it were the lights. Just outside of a town called Shelburne, not even an hour north of Caledon. Far south of Barrie. I can only imagine what the show was like if you were even further north, and if the moon hadn’t been full but even so we got some beautiful and rewarding photos.

Before calling it a night (well, morning, to be honest) I had to shoot the other way. The moon was as full and bright as you could ask for. The night was silent, the road deserted, and a fine coat of fresh snow covered the trees. Setting off the whole thing was a thick mist that was coming in. I felt like I was in a Christmas card, and even though the moon was compromising the aurora, it was still something to be savoured.

That same fog threatened to make our drive home difficult, visibility was nil in some areas.

Right before we turned for home we were rewarded with one final glimpse of them from the car.

We finally got home at 5:30 am, tired but excited. It was completely worth it :) And yes, as the sun continues it’s show we’re already talking about going out tonight!

 

Photo-Take-Outter Friday #4 – Star photography

Star photography and northern light hunting is a favourite hobby of ours. I love long exposure shots (and that feeling when you hold your breath and wait to see what the photo will look like). Here are a few of my favourite images, and what I did to get them:

To avoid repetition: all of these photos are taken using a Canon 7D, tripod mounted and using a remote release to make sure

  • that I didn’t move the camera at all, even just to press the shutter button, and
  • that I had the ability to lock the shutter down for extended periods

Nobel, Ontario – just north of Parry Sound.

Star Photography Tips

This shot got me freshly pressed – thanks wordpress! I lied earlier about all of them using tripods – believe it or not this was dashboard mounted instead. By mounted I mean propped up using mittens and knitting. It was so windy that I didn’t think the camera could be still long enough, and yes, I am shooting through the windshield.

  • Exposure time: 20 minutes
  • ISO: I’m using an ISO of 100 – anything higher and the shot would have blown out over such a long period.
  • Lens: Tokina 12-24, f4.0 wide angle
  • f-stop: Wide open baby! As it should always be for long exposure star shots. On my lens this meant f4.0
  • White Balance: Set to auto – there was a slight glow on the horizon from aurora and I didn’t want to compromise that.
  • Camera Mode: BULB. Bulb means that the shutter is open as long as you have your finger on the shutter button, or as long as you have your remote locked. On other models you go to MANUAL and roll right on past the 30 second shutter mark, the next increment will just say ‘bulb’.
  • Post Production: Almost none – the stars were so clear already, and there was no noise thanks to the 100 ISO. I used a high pass filter just to pop the stars a bit more and that was it.

Tobermory, Ontario

Star Photography Tips

For this shot I had the luxury of being in a beautiful B&B living room with a huge picture window facing west. The camera is on a tripod and shooting through glass. When you shoot through glass always make sure nothing on your camera is causing a reflection – in this case I had to use a toque to cover up the red shutter lamp on the back.

  • Exposure time: 20 minutes
  • ISO: I’m using an ISO of 100 – anything higher and the shot would have blown out over such a long period.
  • Lens: Tokina 12-24, f4.0 wide angle
  • f-stop: I squeezed it down to f6.0 for this one, because I knew I was going for a long exposure and I didn’t want the shot to overexpose.
  • White Balance: Set to tungsten. I was trying to compromise for the lights of a house near me and the result was this gorgeous blue.
  • Camera Mode: BULB.
  • Post Production: None. I was absolutely delighted when I saw the shot :)

Annapolis Royal, Nova Scotia

tips on star photography

This shot is a 3 photo vertical stitch of the Milky Way. It was beautifully clear that night and I had to get as much into one photo as I could. This was taken from the grounds of Fort Anne.

  • Exposure time: 3 shots at 20 seconds each. Because I was stitching afterwards I didn’t want the stars to ‘streak’.
  • ISO: 500 – I needed to get them as bright as I could without needing a really long shutter
  • Lens: Canon 24mm f2.8 prime
  • f-stop: f2.8, again because they were such short shots.
  • White Balance: Auto
  • Camera Mode: Manual
  • Post Production: 3 photo vertical stitch (no tricks needed for the stitch, photoshops default was perfect) Noise reduction was also needed because of the ISO 500.

Hopefully that was useful to aspiring star photographers out there – if you take your own star pics and feel like sharing I’d love to see them :)

Photo-Take-Outter Friday #3 – The Magic of the Lightbox

Today I wanted to talk a little about product photography and how I get even lighting on my shots. For an example I’ll use a piece of pottery.

product photography tutorial

Here is a photo of one of my pitchers. Pottery is very hard to shoot because it’s shiny & colourful. Any picture of my pottery doesn’t do it justice if there are sharp, bright highlights and the colours can’t shine. So first I fix the lighting issue by aiming 2 stand lamps at it.

Starting to look better but there are 3 huge problems with it.

  1. The background is distracting
  2. The shadow of the handle is harsh
  3. The highlights are too sharp and bright

Now I add the lightbox, to soften up the light and neutralize the background. My set up now looks like this.

product photography tutorial

The result is a shot that looks like this:

Definitely looking better! Now, the background is still not neutral enough for me so I’m going to insert a sheet of neutral grey fabric that will drape over the top of my lightbox and over the edge of the table. Then I place my pottery on the fabric, and my set up now looks like this:

product photography tutorial

Taking a shot gives me this:

product photography tutorial

Perfect! And that’s how you use a lightbox to improve your product photography. Here is a before and after.

product photography tutorial

You can get really creative from here and start adding different fabrics and papers into the background:

product photography tutorial

I’ve used this technique on the cheap too – you don’t need expensive equipment to start with. Here is my first ever set up:

product photography tutorial

I’m using a cardboard box with the sides and top cut out. Over the cut outs I’ve taped on some of that stuff that your electronics come packaged in, but you can use tracing paper or crepe paper. The sides are reinforced with packing tape. To light it, I’m using my livingroom window on one side, and an ikea stand lamp on the other side, the results were still lovely:

product photography tutorial

And that’s it! If you’re new to lightboxes and you decide to try them out I’d love to see a shot, and remember – you can get started without having to buy anything up front!

‘Photo-take-outter’ Friday – Issue #2 – The Vertical Panorama

For Issue #2 I wanted to try out something a little more techy. I’ve been having to do a lot of architectural shooting lately, so this technique was on the front burner for me and I thought I’d share it :)

As an architectural photographer I often find myself needing to prepare vertical panoramas for marketing purposes. Generally folks want straight lines and lots of sky to work with, so I take my 4 shots to encompass everything from the ground to the sky. Easy, right?

The problem with a vertical panorama is that, unlike a horizontal one, sometimes the distortion can be so extreme that the algorithm Photoshop uses for PhotoMerge starts to choke and splutter like someone who’s just discovered the hard way that the milk went bad.

As an example of just how lousy this can look I give you a tragic example. Behold, the working files:

I ran these 4 through Photoshop’s PhotoMerge function, on the default settings, and this is what I got:

Correcting a vertical panorama

Yikes! I feel sick just looking at it. Incidentally yes, that is the French Maid, and yes I had very good reasons for taking pictures in front of it. Here is a neat little trick that will help you fix a shot like this one.

In Photoshop, go to your file menu > Scripts > Load files into stack

Choose your source files. This will load all of your images into separate layers on one PSD file.

Look at your layers palette. In my case the file on the top layer is the first shot I took – the one at ground level, where distortion is minimal.

I want to preserve the perspective on this shot – so in my layers palette I lock that layer.

Now I go back to my file menu Edit > Auto Align layers

And voila! The lock forces Photoshop to respect the perspective on the ground level photo, and it collects the distortion to the top instead of the bottom. Makes me wish I had a real life ‘respect my perspective’ button ;)

It doesn’t look quite right, so from here you go Edit > Auto Blend layers:

Much better…

It still looks like a bad trip, but with a little cropping and some work with the free transform tool you’re done!

And that’s how you prepare a file where you need to stitch shots that have a drastic perspective shift. Horizontal or vertical (it’s a more common problem with vertical) all you have to do is lock the layer that has the perspective you want to maintain and then align the layers. It’s simple and very handy :)

Did you guys enjoy this? Was it helpful? Too techy? Are you utterly uninterested in non-craft posts? Should I feature less technique and more artsy photography? Photo-take-outter Fridays is still in it’s infancy and I’d definitely value feedback on the posts so I can provide more of what folks are looking for!

‘Photo-take-outter’ Friday – Issue #1

West Indians will never refer to taking a photo. They always say ‘take out the photo’ – implying that the photo is a thing somehow extracted from the camera via magic. I think they’re onto something. Oh, and of course I’m not a photographer, I’m a ‘Photo-take-outter’. =D

This week I realized that the thing I love the most is the thing I blog the least about – photography! To remedy this oversight I’d like to start a new section where I get to share more about my favourite craft – taking beautiful pictures. Every Friday from now on will feature a photograph – with detail on whatever techniques/software/equipment I used to get the shot. I’ll try to include mini-tutorials, references and product reviews where it makes sense, and maybe even a little bit about why that photo was special to me :)

HDR, Macro, Photoshop, false bokeh, lens reviews… it’s all coming to the Blue Brick for ‘Photo-take-outter’ Friday!

‘Photo-take-outter’ Friday – Issue #1

For photo 1 I decided to use a shot from my beautiful hometown, Toronto.

Toronto

This photo was taken during my favourite time of day for shooting: the Blue Hour. The Blue Hour is that magical time when the sky turns a deep, saturated blue and architecture just shines. I usually shoot in tungsten mode for this – it amplifies the intensity of the blues and tones back any yellow lights in the shot.

I took this with my faithful Canon 7D, and the Tokina 12-24 mm wide angle lens. I’ve had that lens since 2008 and I absolutely love it. Not only has it stood the test of time beautifully, but it delivers an incredibly sharp image for a non-prime lens.

The shot was taken in 3 increments, for a 3 photo vertical stitch. Before taking the 3 shots I locked my exposure by pressing the little button labelled with an asterisk on the 7D. Most cameras have some equivalent, but if yours doesn’t then you might have to do a little exposure matching in Photoshop later. I also used a tripod, and a remote shutter release so even my hands wouldn’t shake the camera.

The stitch itself was easy. I used Photoshop’s photomerge function on the default settings and it looked a great. A little straightening using the free transform tool and I was done!



Follow

Get every new post delivered to your Inbox.

Join 1,108 other followers

%d bloggers like this: